Associate Professors--deSoto, Legrady, Perez
Assistant Professors--Johnson, M., Laplante
Lecturers--Leighton, Marshall, Nakanishi
Minor in Art
M.A. in Art
M.F.A. in Art
The Art Department offers two scholarships for studio students. The Jules H. Strauss Memorial Scholarship supports undergraduate students in photography. Graduate students in any area may be considered for scholarships awarded through the Leo Douglas Stillwell, Jr. Endowment Fund. Both scholarships are awarded on a competitive basis for creative ability. For further information, contact the Art Department.
Art Department courses in exhibition design are focused in the professional environment of the department gallery and provide intense, practical, and theoretical training for gallery and art museum careers. Art and art history students with an interest in working with visual artifacts, and with the diverse professional aspects of presenting art and artists elect courses in this popular area.
Opportunities upon graduating with a B.A. in Art vary depending on the student's initiative and inclinations. Students dedicated to creative expression or scholarly research in the history of art may elect to pursue graduate education. Others may find opportunities for technical or on-the-job training in the related fields detailed above. Graduate degrees open the door to teaching positions at the college-university level. Those students who elect unrelated careers will find access to more rewarding cultural life experiences through their visual arts education.
Courses for this discipline are listed in alphabetical sequence (consult Index for page reference).
Units
Art History 12
Must include one course focusing on the 20th
century chosen from the following:
ART 303 The Artist in the 20th Century:
Cultures in Collision-Cultures in
Fusion
ART 304 Queer Art History
ART 402 History of Architecture
ART 501 Western Art: Special Areas
Appropriate topics:
Women and Art: The 20th Century
Art in the 80s: The Post-Modern
Dilemma
History of Photography
Performance and Environmental
Art
Dada and Surrealism
ART 506 American Painting and Sculpture:
1940 to the Present
ART 508 African Art History
Must include a non-European course (3 units
minimum)
Explorations:one course outside area of
emphasis (see below) 3
Art Productions 1-3
Area of Emphasis(one area chosen from the
following) 30
Total 46
ART 222 Exploration in Textiles
ART 225 Exploration in Metal Arts and Jewelry
ART 231 Exploration in Drawing and Painting
ART 235 Exploration in Drawing and Printmaking
ART 240 Exploration in Sculpture
ART 245 Exploration in Ceramics
ART 247 Exploration in Glass
ART 260 Exploration in Photography
Art History:The history of visual form examined in relation to the values, beliefs, and institutions of specific cultures.
Ceramics:Foundation in ceramic information and techniques affording a base upon which the student can build a professional future in ceramics.
Conceptual Design/Information Arts:A program that stresses integration of intuitive approaches typical of the arts with structured processes of research, planning, and problem solving more characteristic of other disciplines such as the humanities, science, and technology. It promotes non-conventional art media, new media, and the movement of artists into non-art contexts. It teaches students concrete skills related to contemporary theory and technology such as structured problem solving; analysis of biological systems; computers; telecommunications; interactive media; and the electronic synthesis of image, text, and sound. The program places emphasis on the perspectives of critical analysis of cultural systems, language, and media.
Students emphasizing Conceptual Design/Information Arts are expected to take the ART 410/412 introductory core and ART 610/612 advanced seminars.
Painting and Drawing:Program of studio courses emphasizing visual awareness and understanding. Painting/drawing is seen as a productive endeavor in itself, as well as a means of acquiring visual skills that may be applied to other disciplines. Attention is given to diverse histories and traditions and their effect on contemporary practices.
Photography:Program of studio courses emphasizing contemporary cultural concerns within the context of photographic history and processes. A variety of photographic technologies are engaged, from nineteenth century handmade processes, black-and-white and color formats to digital imaging hardware and software. Students are encouraged to explore and experiment during the development of individual projects and group critiques.
Printmaking:A program of studio courses providing in-depth studio practice in one or more of the major processes in fine art printmaking and the extensions of the field. It emphasizes cultural awareness and critical problem solving within the context of historical and contemporary printmaking processes and thought. Students are encouraged to investigate alternative printmaking processes, such as bookarts, mixed media applications, and photographic transferring as planned progress toward advanced work.
Sculpture:A program of study emphasizing cultural awareness, conceptual development, and artistic expression evolved through research, analysis, dialogue, and hands-on investigation utilizing a wide range of traditional and exploratory materials, processes, and creative strategies.
Textiles:A hands-on program designed to allow students to learn about textile techniques, their traditions, and contemporary application. Areas of studio focus include 4, 8, and 16 harness loom constructions (both manual and computer assisted), and a variety of surface design processes such as dyeing with fiber reactive dyes, resist dyeing, discharge, painting, and screen printing. Teaching draws on study and physical examples which emphasize a multicultural approach.
Dual Emphasis I:A dual emphasis is available for students with cross-over interests in any two studio areas listed above, such as painting/printmaking. It is also available for students who wish to work in metal arts, glass, or other media where a full range of specialized courses is not currently offered. The emphasis consists of a planned combination of related courses, approved in advance. Approval must be by advisers in both areas, one of whom must be a full-time regular faculty member. Courses in Dual Emphasis I must total a minimum of 46 units, including at least twelve upper division units in one studio area and nine upper division units in the other. Two elective related courses (six units) is possible. In addition, the student is required to take two lower division exploration courses. All other requirements for the B.A. in Art, as listed above, must be satisfied.
Three units chosen from: ART 201, 202, 204,
205 3
Units in Art History focusing on the 20th century
selected from the following: 3
ART 303 The Artist in the 20th Century:
Cultures in Collision-Cultures in
Fusion
ART 304 Queer Art History
ART 402 History of Architecture
ART 501 Western Art: Special Areas
Appropriate topics:
Women and Art: The 20th Century
Art in the 80s: The Post-Modern
Dilemma
History of Photography
Performance and Environmental
Art
Dada and Surrealism
ART 506 American Painting and Sculpture:
1940 to the Present
ART 508 African Art History
Units selected from the Explorations listed above 3
Units of upper division electives which may
include three units of Production courses 15
Total 24
The university Graduate Admissions Application and the Art Department M.A. application are due by mid-February for the following fall. Call the Art Department for the exact date. Admission requirements are described in the Master of Arts General Informationbrochure. Application forms and the brochure may be obtained by writing to: Art Department, M.A. Admissions, San Francisco State University, 1600 Holloway Avenue, San Francisco, CA 94132.
In addition to these two applications, the requirements for admission to the M.A. in Art History include the following:
Acceptance of an applicant for an M.A. degree in the Art Department is contingent upon acceptance to classified standing. No more than six units of work taken in unclassified post-baccalaureate status at the university is applicable towards M.A. degree credit.
A departmental review of each student's progress is required after the end of the first year in the program or after fifteen units have been completed--whichever comes first.
Foreign Language Examination:written translation with dictionary or a satisfactory score on GRE examination. Examination must be taken before ART 898.
Courses offered in this discipline are listed in the "Announcement of Courses" section (consult Index for page reference).
Units
ART 700 Seminar in Art Theory 3
ART 701 Art History: Images and Meaning 3
ART 702 Seminar: Methods in Art History 3
Upper division (400 level or above) and gradu-
ate art history courses by advisement 12
Electives (may include art history) 6
ART 898 Master's Thesis 3
Minimum total 30
The Art Department's M.F.A. admission application requirements include:
Units
ART 704 Seminar in Art (Taken each of six
semesters at three units/semester
on advisement.) 18
ART 780 Graduate Visiting Artist/Scholar
Studio (Taken twice at three
units/semester) 6
Studio electives: two courses of three units each.
May be taken in Art or in any other depart-
ment, by advisement. 6
ART 882 Tutorial in Studio (taken twice at
three units/semester) 6
ART 890 Creative Work Research 3
ART 894 Creative Work Project 3
Minimum studio total 42
ART 700 Seminar in Art Theory and Criticism 3
ART 705 Seminar in History of Art 3
ART 850 Directed Experience in Public
Roles for Artists 3
Academic electives: may be taken in any
department and may include additional
academic art courses in theory, criticism,
history, and directed experience, by advise- ment 9
Minimum academic total 18
Minimum degree total 60